• 12, 12ml tubes of watercolours
• Made from rich pigments and a formulation that is easy to use, creating transparent washes of colour
• Use straight from the tube or dilute with water to achieve various effects

• A unique thick impasto artist acrylic
• High pigment saturation offering exceptional coverage
• Saturated colours offer excellent tinting characteristics
• Suitable for all surfaces
• Dries to a gloss finish
• Moisture and dirt resistant when dry
• A wide range of colours
• All colours easily mixed to create endless creative shades
• Economical pricing makes Iris Acrylic exceptionally good value for money

Assorted set of 12 includes 12 x 12ml:

Lemon Yellow, New Gamboge, Vermilion, Crimson Lake Red, Quinacridone Rose, Ultramarine Blue, Phthalo Blue, Sap Green, Yellow Ochre, Burnt Sienna, Burnt Umber, and Titanium White.

Assorted set of 12 includes 12 x 12ml:

Lemon Yellow, Cadmium Yellow Hue, Cadmium Red Hue, Rose, Violet, Ultramarine Blue, Primary Blue, Viridian, Yellow Ochre, Burnt Umber, Lamp Black, Titanium White.

Assorted set of 18 x 12ml colours includes:

Lemon Yellow, Cadmium Yellow Hue, Brilliant Red, Alizarin Crimson, Rose Madder, Violet, Botanical Bliss, Ultramarine Blue, Phthalo Blue, Turquoise, Chartreuse, Emerald Green, Sap Green, Yellow Ochre, Burnt Sienna, Burnt Umber, Ivory Black, Titanium White.

Assorted set of 12 x 12ml colours includes:

Lemon Yellow, Cadmium Yellow Hue, Brilliant Red, Alizarin Crimson, Rose Madder, Ultramarine Blue, Phthalo Blue, Emerald Green, Yellow Ochre, Burnt Umber, Ivory Black, Titanium White.

12 x 12 Double Sided Paper 

8 Patterns 2 of each design

240gsm

• Artistico is made with 100% cotton and produced with a mould made process
• Artistico now has enhanced quality and presentation appropriate to its reputation
• Now available with improved surface sizing and a stronger surface, 4 deckled edges and a fixed point watermark
• Artistico is a vegan friendly product
• Available in 2 shades of white – Traditional White and Extra White both without bleaches or optical brighteners
• There are 4 surfaces:
  • Satin (Hot press)
  • Fine Grain (Cold press)
  • Coarse Grain (Rough)
  • Soft Grain (Soft Grain available in extra white loose sheets only)
• There are 2 grammages – 300gsm

• Fabriano Watercolour features a 25% cotton 300gsm acid free, cold press surface of exceptional quality
• With ideal absorption and highly scratch resistant
• A very forgiving paper which enables all lifting and scrubbing techniques
• Available in portrait spiral pads in A5 with 20 sheets and A4 with 30 sheets per pad

• Fabriano Watercolour features a 25% cotton 300gsm acid free, cold press surface of exceptional quality
• With ideal absorption and highly scratch resistant
• A very forgiving paper which enables all lifting and scrubbing techniques
• Available in portrait spiral pads in A5 with 20 sheets and A4 with 30 sheets per pad

• Made with 200gsm smooth cartridge paper
• Acid free and bright white
• A versatile paper for detailed graphite, pen, colour pencil and charcoal work
• Strong enough to do light water colour work as well
• 20 sheets per pad and available in A4

Product features:

• Natural white paper made with 10% cotton and 90% bamboo fibre.
• Great for use with pencil, charcoal and red ochre.
• Paper weight: 105gsm.
• Available formats: Pads and Hard Cover Books.
• 30 Sheets per Pad.
• 64 Sheets per Hard Cover Book.

Product features:

• Natural white paper made with 10% cotton and 90% bamboo fibre.
• Great for use with pencil, charcoal and red ochre.
• Paper weight: 105gsm.
• Available formats: Pads and Hard Cover Books.
• 30 Sheets per Pad.
• 64 Sheets per Hard Cover Book.

Product features:

• Natural white paper made with 10% cotton and 90% bamboo fibre.
• Great for use with pencil, charcoal and red ochre.
• Paper weight: 105gsm.
• Available formats: Pads and Hard Cover Books.
• 30 Sheets per Pad.
• 64 Sheets per Hard Cover Book.

Made with “Green” Hahnemuhle 265gsm bamboo paper.
Natural white made using 10% cotton rag and 90% bamboo fibre.
A multi media paper for watercolour, gouache, graphite, ink, pastel, acrylics and charcoal.

• Prime Art offers the distinctive hard cover Creative Journal
• 50 Sheets of 120gsm smooth white drawing cartridge
• Hard, non-flexible cover front and back
• Strong wire binding
• Available in portrait format

• Prime Art offers the distinctive hard cover Creative Journal
• 50 Sheets of 120gsm smooth white drawing cartridge
• Hard, non-flexible cover front and back
• Strong wire binding
• Available in portrait format

• Prime Art offers the distinctive hard cover Creative Journal
• 50 Sheets of 120gsm smooth white drawing cartridge
• Hard, non-flexible cover front and back
• Strong wire binding
• Available in portrait format

• Prime Art offers the distinctive hard cover Creative Journal
• 50 Sheets of 120gsm smooth white drawing cartridge
• Hard, non-flexible cover front and back
• Strong wire binding
• Available in portrait format

Made from 100% cotton, this range of stretch canvas is extra absorbent to accommodate water-based media.  The canvas is triple primed with a brighter, whiter primer on bleached canvas for exceptional colour vibrancy and detail.  The canvas frame profile is 3.8cm x 1.7cm and is made from kiln dried, specially selected wood that ensures maximum resistance to warping and bending.

• Standard Profile
• Triple Primed
• 100% Cotton
• Fine Weave
• 380 gsm
• Extra Absorbent

While perfect for printing, this canvas also supports a wide range of mediums, including acrylics, ink, aquarelle, charcoal, watercolour, soft pastel, markers, khoki, and graphite.

• Apply Masking Fluid to create a barrier that protects desired white space by blocking watercolor washes
• After applying, it dries to a transparent caramel colour so you can see it while you work
• The dried fluid is easy to rub off with your fingers or a rubber cement pick-up
• The 30ml bottle includes five different fine-point applicator tips for detail work

High opaque white ink suitable for drawing on dark coloured papers. Great white ink flow for adding highlight, doodling, line art, lettering and more.  Waterproof, fade resistant and chemical proof.

• Japanese traditional paint for professional artists and crafters
• Can be used as a gouache or if watered down it can be used as a watercolour
• Ideal for a variety of media and applications such a sketching, illustration and card making
• The metallic and pearlescent colours sparkle and offer excellent opaqueness
• Also available in Metallic, Graphite and Pearl colour sets of 6 assorted colours.

• Japanese traditional paint for professional artists and crafters
• Can be used as a gouache or if watered down it can be used as a watercolour
• Ideal for a variety of media and applications such a sketching, illustration and card making
• The metallic and pearlescent colours sparkle and offer excellent opaqueness
• Also available in Metallic, Graphite and Pearl colour sets of 6 assorted colours

• Japanese traditional paint for professional artists and crafters
• Can be used as a gouache or if watered down it can be used as a watercolour
• Ideal for a variety of media and applications such a sketching, illustration and card making
• The metallic and pearlescent colours sparkle and offer excellent opaqueness
• Also available in Metallic, Graphite and Pearl colour sets of 6 assorted colours

Chinese White is a zinc based opaque white. Winsor & Newton were the first to sell Chinese White in England in 1834. It was named after the popular Chinese porcelain imported at the time.

Chinese White is a zinc based opaque white. Winsor & Newton were the first to sell Chinese White in England in 1834. It was named after the popular Chinese porcelain imported at the time.

Cadmium Yellow Hue is a warm mid-range yellow made from arylide pigments to resemble genuine Cadmium Yellow. It is a reddish yellow with good tinting properties. Arylide yellow is part of the Hansa Yellows which were first developed in the early 1900s in Germany by the Hoechst company.

Ivory black is a stable all-round black colour with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks.

Payne's Gray is a dark blue grey made from a mixture of Ultramarine, Mars Black and sometimes Crimson. It was named after the 18th c. water-colourist William Payne who created the mixture and often recommended it to his students as an alternative to plain black.

A rich dark brown pigment, Burnt Umber is made from natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined. Burning the raw pigment intensifies its colour.

Burnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones.

Yellow Ochre is a warm yellow colour. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind. A synthetic version became available in the 1920s.

Sap Green is a bright mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.

French Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.

Cobalt Blue Hue is a clean blue pigment closely resembling Cobalt Blue. Genuine Cobalt was discovered in 1802 by French chemist Thénard as an alternative pigment to the expensive Lapis Lazuli blue.

Cerulean Blue Hue is a bright blue pigment with green undertones. It is a careful combination of pigments closely resembling genuine Cerulean Blue.

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulatedas a highly permanent red pigment.

A warm, opaque colour, Pale Rose Blush is a carefully selected combination of pigments that resembles a blush tone and is suitable as base for many rose-beige blends.

Cadmium Orange Hue is composed of several pigments closely resembling genuine Cadmium Orange. It is a versatile bright mid-range orange colour.

Cadmium Yellow Hue is a warm yellow colour. It is a versatile rich mid-range yellow.

Cadmium Yellow Pale Hue is a strong light yellow made of arylide yellow pigments to closely resemble genuine Cadmium Yellow Pale.

A cool yellow colour, Cadmium Lemon is a single pigment colour with excellent tinting abilities. Cadmium was discovered in 1817. Its stable opaque colours have made it a popular pigment ever since.

As its name suggests, Soft Mixing White is an excellent white mixing colour. A combination of Zinc and Titanium, it is a soft opaque white colour.

Titanium White is a clean white pigment. It is the most opaque white pigment and is considered a standard strong white colour.

Titanium White is a clean white pigment. It is the most opaque white pigment and is considered a standard strong white colour.

COMPOSITION:

Oil modified alkyd resin.

PROPERTIES:

Translucent soft gel.

Accelerates drying time and has a good flow characteristic.

Recommended for glazing.

Resistant to yellowing.

COMPOSITION:

Alkali refined linseed oil.

PROPERTIES:

Highly refined and pure pale coloured linseed oil.

Reduces consistency of oil paint.

Increases gloss and transparency.

Slows down drying time.

COMPOSITION:

Refined petroleum solvent.

PROPERTIES:

A high quality odourless volatile solvent for thinning oils.

It is odourless and will not leave a residue after evaporation.

Can be used to clean brushes.