Fine quality interlocked natural bristle. These brushes have stiff resistance for maximum control.
Best suited to all types of oil based or heavy bodied acrylic. Can also be used for dry brushing ceramics.
Fine quality interlocked natural bristle. These brushes have stiff resistance for maximum control.
Best suited to all types of oil based or heavy bodied acrylic. Can also be used for dry brushing ceramics.
Fine quality interlocked natural bristle. These brushes have stiff resistance for maximum control.
Best suited to all types of oil based or heavy bodied acrylic. Can also be used for dry brushing ceramics.
Fine quality interlocked natural bristle. These brushes have stiff resistance for maximum control.
Best suited to all types of oil based or heavy bodied acrylic. Can also be used for dry brushing ceramics.
Available in various colours for many different craft applications.
Available in various colours for many different craft applications.
Memento™ dye ink is fast drying and fade resistant. The innovative pad delivers finer impressions and exceptionally even coverage. Its dew drop size (approx. 1.5 x 1 Inches) makes is easy on the budget as well as storage.This ink dries naturally on vellum and glossy paper. Works great on leather, polymer clay, mica, acetate and more. Perfect for embossing too! Non-toxic, archival safe and acid-free. Imported.
Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more.
Useful for print making and large scale gluing applications.
Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more.
Useful for print making and large scale gluing applications.
Dala rubber rollers are robust, plastic handled brayers with hard rubber rollers and are suited to the spreading of ink; paint; glue and more.
Useful for print making and large scale gluing applications.
Distress Inks are a collection of acid-free, non-toxic, fade-resistant, water-based dye inks. They're perfect for the popular vintage, stained and aged effects used in altered books, scrapbook pages, cards and home decor projects. Eye drop applicator.
Distress Inks are a collection of acid-free, non-toxic, fade-resistant, water-based dye inks. They're perfect for the popular vintage, stained and aged effects used in altered books, scrapbook pages, cards and home decor projects. Eye drop applicator.
Distress Inks are a collection of acid-free, non-toxic, fade-resistant, water-based dye inks. They're perfect for the popular vintage, stained and aged effects used in altered books, scrapbook pages, cards and home decor projects. Eye drop applicator.
Distress Inks are a collection of acid-free, non-toxic, fade-resistant, water-based dye inks. They're perfect for the popular vintage, stained and aged effects used in altered books, scrapbook pages, cards and home decor projects. Eye drop applicator.
Includes 2 sets, each with a metal tip and pin designed to work with glue and adhesive bottles to add the ability for precision application and aid in extending their life and use time.
| Colour Number: | 526 |
|---|---|
| Vehicle Oil: | Linseed Oil |
| Lightfastness: | Excellent |
| Opacity: |  Transparent |
| Series: | 1 |
| Pigment Code: | PB15,PG7 |
| Permanence: | Permanent |
Phthalo Turquoise is an intense blue-green pigment with a red undertone. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s. It is a transparent pigment.
| Colour Number: | 379 |
|---|---|
| Vehicle Oil: | Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: | Transparent |
| Series: | 1 |
| Pigment Code: | PB15,PG7 |
| Permanence: | Permanent |
Manganese Blue Hue is a clear greenish azure blue colour. It is based on the now obsolete Manganese Blue made of Barium Manganate.
| Colour Number: | 263 |
|---|---|
| Vehicle Oil: | Linseed Oil/Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: | Transparent |
| Series: | 2 |
| Pigment Code: | PB29 |
| Permanence: | Permanent |
French Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.
| Colour Number: | 545 |
|---|---|
| Vehicle Oil: | Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: | Transparent |
| Series: | 2 |
| Pigment Code: | PR122 |
| Permanence: | Permanent |
Quinacridone Magenta is a rich deep violet-red colour. It is based on the Quinacridone pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.
| Colour Number: | 726 |
|---|---|
| Vehicle Oil: | Linseed Oil |
| Lightfastness: | Very Good |
| Opacity: |  Semi-Opaque |
| Series: | 2 |
| Pigment Code: | PR254,PR255 |
| Permanence: | Permanent |
Winsor Red is a warm mid-range red colour, with orange undertones. It is a permanent and lightfast colour.
| Colour Number: | 644 |
|---|---|
| Vehicle Oil: | Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: |  Opaque |
| Series: | 1 |
| Pigment Code: | PW4,PW6 |
| Permanence: | Extremely Permanent |
Titanium White is a clean white pigment. It is the most opaque white pigment and is considered a standard strong white colour.
| Colour Number: | 722 |
|---|---|
| Vehicle Oil: | Safflower Oil |
| Lightfastness: | Very Good |
| Opacity: | Semi-Transparent |
| Series: | 2 |
| Pigment Code: | PY3 |
| Permanence: | Permanent |
Winsor Lemon is a clear bright yellow colour with excellent tinting properties. It is a variation of the Hansa pigments which were discovered in the early 1900s in Germany.
| Colour Number: | 149 |
|---|---|
| Vehicle Oil: | Linseed Oil |
| Lightfastness: | Excellent |
| Opacity: | Semi-Opaque |
| Series: | 1 |
| Pigment Code: | PO62,PY74 |
| Permanence: | Permanent |
A pale yellow, Chrome Yellow Hue is a carefully combined selection of pigments closely resembling genuine Chrome Yellow without the latter's defects. Chrome Yellow Hue is lightfast and permanent.
| Colour Number: | 319 |
|---|---|
| Vehicle Oil: | Linseed Oil/Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: | Transparent |
| Series: | 2 |
| Pigment Code: | PR101,PY139 |
| Permanence: | Permanent |
Indian Yellow is a vibrant yellow pigment which has been used by artists such as Turner. Originally a colour created in India from the urine of cows exclusively fed on mango leaves, Winsor & Newton created an alternative closely resembling the original.
| Colour Number: | 731 |
|---|---|
| Vehicle Oil: | Linseed Oil/Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: | Semi-Transparent |
| Series: | 2 |
| Pigment Code: | PY65 |
| Permanence: | Permanent |
Winsor Yellow is a clean bright yellow pigment. It is part of the Yellow Hansa group of modern pigments first developed by the German Hoechst company in the early 1900s.
| Colour Number: | 242 |
|---|---|
| Vehicle Oil: | Safflower Oil |
| Lightfastness: | Excellent |
| Opacity: | Opaque |
| Series: | 1 |
| Pigment Code: | PW4,PW6 |
| Permanence: | Extremely Permanent |
Flake White Hue is an opaque titanium based white formulated to match traditional Flake White while avoiding the use of toxic lead. Flake White can be found in the earliest Chinese paintings found.
